New York cabaret artist/Broadway performer, Georga Osborne and her pianist Steven Watkins will perform Saturday, November 22 at 7:30pm in Burke Theatre. Georga has won numerous cabaret award in New York and has appeared in the original cast of Meet Me in St. Louis on Broadway. She has also toured extensively through the United States and abroad in musical theatre. Her solo show mixes humor with beautiful singing and moving ballads. Admission is free for UL Lafayette students, faculty and staff, $15 for general public, and $10 for seniors. Osborne will also give a masterclass for our students on Sunday, November 23 at 1:30pm in Burke Theatre. All are invited to attend, free of charge.
On Friday, November 21 from 12-1pm in Fletcher 134, Professor Gjertson will present a lecture on lessons learned from the BeauSoleil Home since its completion five years ago and highlight aspects of his new book, co-authored by Dege Legg (and forewords by Pliny Fisk and Edward J. Cazayoux, FAIA). Here is an interview with W. Geoff Gjertson, AIA.
How would you define environmental sustainability and being “green” to someone who is not familiar with it?
I think it’s really about quality of life. All of the things that make the home perform better are ultimately about improving your quality of life and, of course, improving the environment, eventually. Everything we did on BeauSoleil was to try to make it mainstream and more digestible for the public. So, we never pushed the technical side as much as just the idea that we were designing a house for our people and for our culture and that we really wanted to make it very livable and a fun thing. Sure, it’s got solar panels and all this other stuff, but a lot of what really makes it sustainable are things that have been around for a long time. Look at the way our ancestors lived. They knew how to orient the house to get the best sun or to block the sun and to get the best wind. They were learning how to live off the grid and be environmental before it was the cool thing.
So, what is the history of the home, and what was the purpose of building it?
It was a two-year process of designing and building. We were one of twenty universities selected by the U.S. Department of Energy to participate in the 2009 Solar Decathlon in Washington D.C. They take proposals, and they pick the top twenty from around the world. We were the only school from Louisiana to ever be in the Solar Decathlon and were among an incredibly impressive array. We really saw the competition as more of a vehicle to explore stuff we were already looking at, and it was a great opportunity to get some funding from the Department of Energy. However, it was really about getting to design a house for Louisiana, for our people. We were following Katrina and Rita, so it was important to think of a new, sustainable, modular, small house that could be great for a hurricane replacement home but also just to live more efficiently and sustainably. We had about about 200 students, 50 faculty, and over 2,000 sponsors. It was an incredible journey. We had to build the house, take it apart, move it a thousand miles, put it back together in four days, compete for three weeks, take it apart, and bring it back. So, that was pretty impressive.
What is the “hope” that the book speaks of?
The book is really about the human stories. That’s why it’s called “Generating Hope” because hope was really the motivation, I think, for people to participate. Hope was generated for the community because it really got this kind of grassroots effort in our community. It got a discussion going about sustainability that maybe had started but wasn’t really tangible that the university had going that people could get behind. So, we had people supporting it almost like our football team.
So, what is your personal “hope” for of the future this project? A lot of questions were raised about the marketability of the home. Where would you like to see this take off?
That’s a good question. Initially, of course, all of us wanted to see it mass produced. I don’t quite feel that way anymore. I think it deserves to be built and reproduced, but I think having thousands of any one thing is probably not a good idea. I think we can take from this and build multiples and change them up. We’ve talked about trying to do a whole community in Cameron. So, we’re just looking for different possibilities. It really led to these other homes that we’ve built. Since the BeauSoleil, we’ve built three market rate homes that I call the “city cousins of BeauSoleil” and four habitat homes. However, I still have the hope that we would find a manufacturer that could prefabricate it. That would be the most cost-efficient way for the median income family to afford the home. But, right now, it’s still very expensive for this high level of performance.
That’s kind of what people say about eating healthy, too. If you want to eat healthy, all the healthy food is more expensive than the unhealthy food, but the healthier food is ultimately better for you.
That’s a good analogy. You could also say it would be cheaper if you grew your own vegetables. Well, sustainability could be cheaper in your own home if you work harder at it. But, we’ve been so conditioned for convenience to let the building work for us. ‘I’m not going to open a window to make it cooler; I’m going to adjust the temperature on the thermostat.’ If we’re willingly to make our homes operate more and respond more to the climate and if we’re willing to manipulate it more, then we can save energy without having to add a lot of solar panels or whatever. You know, there are a lot of things we can do, but it is somewhat of a lifestyle change. I don’t think that anyone should think it’s easy to be green. It’s a commitment.
How did you go about writing the book?
I had been thinking about it since we first finished the home in 2009. I did a little, small, self-published book because I thought it needed to be documented with images. I knew it needed a book, but I also knew I needed some distance from it. So, after three years, I started brainstorming. I didn’t want it to be just a diary of the whole project. We had a roundtable discussion about what the book should be, and did interviews with about thirty people who worked on the project, some of which I hadn’t seen since the competition. It was kind of cathartic, in a way. I really wanted to see if my students forgave me for driving them too hard with this project. I was afraid that I worked some of my students too hard. Ultimately, they worked themselves that hard. We all worked ourselves hard. So, I found out that they weren’t holding any grudges against me. That was a relief. But, it gave them the chance to talk about how the project affected them and their lives and careers. We have one student who is now the sustainability director. One is a photographer. It helped them all in different ways, which was nice to see. I decided that the book should be three narratives. One is the basic diary of the project and the amazing journey of it all. I went through two years of emails and just wrote this huge transcript. But, it was really boring. So, I hired Dege Legg, a local musician and writer, who helped me in cutting it down a lot. So, I made it to where anyone would find it interesting. I also have technical sidebars for people who want to know specifics about the project, all the numbers and whatnot. The third section, which is really important, is the portraits derived from the interviews with the individuals and what they thought hope was. So, the book is kind of like the history and definition of hope, because everyone who participated defined hope. Dege wrote the portraits that gave an independent, third party perspective from the players in the project. In the book, I talk about motivations for doing the project, how we assembled the team and how it organically grew, how we named it, designed it, built it, and competed. The conclusion of the book is about the descendants of BeauSoleil, which are the homes that we’ve built since then and what we’re doing with the home now.
Is there anything else you’d like to add?
Just that this is everyone’s story. It’s not really my story. I wanted to do this for everyone who worked on it and for the community that got behind it. I felt like it needed to be documented and shared. I felt like that chapter needed to be concluded. Now, there may be another chapter, but some of the money from the book will go toward future projects. Everything has always kind of led to the next thing. So, we’ll see.
You can purchase “Generating Hope: Stories of the BeauSoleil Louisiana Solar Home at http://www.amazon.com/Generating-Hope-Stories-Beausoleil-Louisiana/dp/1935754505/ref=sr_1_1?ie=UTF8&qid=1415833218&sr=8-1&keywords=generating+hope
For more information, go to http://www.beausoleilhome.org/
The UL Lafayette School of Music and Performing Arts presents State of LA Danse
November 13-15 at 7:30pm and November 16 at 2pm. All performances will be at the Ducrest-Gilfry Auditorium at Angelle Hall on the UL Lafayette campus. The 2014 production of State of LA Danse will feature a range of choreographic approaches that are thoughtfully diverse in subject matter and richly innovative in approach.
Two members of the resident artist faculty, Dina Ternullo Melley and Marie Broussard, offer works that are the further exploration into and development of earlier works. Ms. Melly will present Solitary Dancer while Ms. Broussard will offer Oiseaux Tristes (Sad Birds). Both of these dances will be performed with live musical accompaniment. The score for Solitary Dancer will be performed by the University Wind Ensemble under the direction of Dr. William Hochkeppel, with School of Music and Performing Arts faculty member Eric Melley conducting. Oiseaux Tristes, by Maurice Ravel will be performed by School of Music and Performing Arts faculty member Chan Kiat Lim and will integrate a film created by UL Lafayette Visual Art department faculty member Yeon Choi.
The evening concludes with three diverse approaches to original choreography from three Louisiana natives, Blakeley White-McGuire, CoCo Loupe and Matthew Couvillon.
Ms. White-McGuire describes her work 15 Scores as a dance born of a long distance collaboration using Interdisciplinary generative processes. It is the product of the dancers’ interpretation of 15 scores sent to them by the director over the course of two months. In his choreography Give ‘Em A Revue!, Matthew Couvillon is utilizing the style and form of the 1920’s and 30s vaudeville revue to comment on timely social issues. Completing the evening, CoCo Loupe has used improvisational techniques with the dancers to develop the movement vocabulary for her original choreography rites of way.
Tickets for State of LA Danse will be available at Angelle Hall one hour prior to each performance or online at PFAR.LOUISIANA.EDU. General admission tickets are $10.00. Alumni, Senior Citizens and students are $5.00. UL Lafayette faculty and staff are free with valid university identification. For more information call 337-482-6357.
The series of jazz concerts will begin on November 18 and 19 at 7:30 pm in Ducrest-Gilfry Auditorium. These events are free and open to the public.
- Tuesday, November 18: Jazz Combos II and III
- Wednesday, November 19: Jazz Combo I and the Jazz Guitars
The Cypress Lake Sextet and the UL Lafayette Jazz Ensemble will present a concert at the Acadiana Center for the Arts (ACA)Friday, November 21 beginning at 7:30 p.m. The ACA is located at 101 West Vermilion St. in downtown Lafayette.
The price of admission is $12 general, $8 for students, seniors, and ACA members.
The Cypress Lake Sextet is composed of UL School of Music jazz faculty including: Paul Morton, trumpet; Michael Jenner, saxophone; Jeff George, guitar; Garth Alper, keyboard; Chris Munson, drums; and bassist Robert Nash.
For the last twenty years the Cypress Lake Sextet has been dedicated to the promotion of jazz on the highest level. The group focus is on original compositions that explore a number of contemporary jazz styles. A variety of rhythmic grooves keeps the music fresh and the audience engaged. In keeping with an important tradition of the jazz genre, the combo balances a unique group conception with improvisatory soloing. Recent performances have included radio and World Wide Web broadcasts and concerts in Baton Rouge, New Orleans, and a number of other communities throughout Louisiana.
Directed by Dr. William Hochkeppel, the UL Jazz Ensemble is an 18-piece “big band” that performs best in contemporary jazz, and well as standards made famous by Jazz greats such as Count Basie, Duke Ellington and Stan Kenton. The group is composed of UL music students who enter the group through a stringent audition process.
The UL Lafayette Opera Theatre, under the direction of Shawn Roy, will present “An Evening with Gilbert and Sullivan” Friday, Nov. 7 and Saturday Nov. 8 at 7:30PM and Sunday, Nov. 9 at 3PM in the Burke-Hawthorne theatre on the UL Lafayette campus.
The evening will consist of different scenes, solos, and ensembles from their various turn of the century operettas. The cast of 11 will delight you will catchy, patter tunes and choreography appropriate to the early 1900′s era. The show is being set in 1912, one year after the death of Mr. Gilbert. Tickets are available at the door only and are $10 for the general public and $5 for students with ID. UL Lafayette students, faculty and staff are admitted free of charge. Click here to go to the Facebook event page.
The UL Wind Ensemble Homecoming Concert “Ragin Cajuns Ever After” will enchant Angelle Hall on Friday October 31 at 7:30pm. It will be an evening of fairytales, fables, and haunting stories. Selections include: “The Pied Piper of Hamelin” featuring narration by Shawn Roy, “Tam O’ Shanter,” and “Baron Cimetiere’s Mambo.” Click here to go to the Facebook event.
The UL Chamber Singers and Chorale will present their fall concert in Angelle Hall on Sunday, November 2 at 6pm. The program is entitled “A Day in Music,” and will feature choral music which describes the times of day, exploring themes associated with day and night, waking and sleeping, the cycles of life and death, youth and age, birth and rebirth. Click here to go to the Facebook event.
Both events are free admission.
Adults and little ones alike will get into the Halloween spirit when the UL Lafayette Symphony, under the direction of Michael Blaney, presents its Annual Halloween Concert Wednesday, October 29, at 7:30 p.m. in Angelle Hall Auditorium. Orchestra members will be wearing costumes, and the audience is encouraged to show up in their favorite Halloween costumes. Musical highlights of this year’s concert include: Suite from Video Games Live, Picture at an Exhibition, Danse Bacchanale, Flinstones Meet the Jetsons, and Copland’s Hoedown. Guest appearances by the UL School of Music Faculty and Lafayette Ballet Theatre. It’s a great way to celebrate the holiday in a fun and entertaining way.
Admission is $8 for adults, FREE for 17 and younger, FREE for all UL students, faculty, and staff with I.D. All proceeds benefit the UL-Lafayette Orchestra Program. For more information call the UL School of Music at (337) 482-6012
The College of the Arts will hold its annual Beaux Arts Ball on Friday, October 24, 2014, at River Oaks Event Center. The costume ball will take place from 7:00-10:00 p.m. with the theme of water. The 2015 SPARK Lifetime Achievement Award recipient will be formally announced as renowned architect, environmental activist, educator, and friend, Edward Cazayoux. All proceeds from the event will support the UL Lafayette College of the Arts.
Guests will enjoy a buffet dinner with wine pours and a cash bar while dancing the night away to the 20-piece UL Jazz Ensemble. With the theme of water, guests are encouraged to dress as a swamp, the great flood, a water lily, iced tea, or any state of the basic element. Tickets are $75 per person, $600 for a table of 8, and $1,000 for a sponsorship. They can be purchased online at bab2014.eventbrite.com or by calling (337) 482-6224.
Those who purchase tables can put their creativity in motion and join the table-decorating contest to obtain the coveted trophy for best themed table decoration. Join the UL Lafayette College of the Arts for the annual Beaux Arts ball on Friday, October 24, 2014 in the Vermillion Room at River Oaks Event Center, 520 East Kaliste Saloom Rd., Lafayette, La.
About 2015 SPARK Lifetime Achievement Award recipient:
The College of the Arts at UL is thrilled to announce the selection of Edward ‘Eddie’ Cazayoux, FAIA, to receive our SPARK Lifetime Achievement Award. Eddie was born in New Roads Louisiana. He received his Bachelor of Architecture at the University of Southwestern Louisiana (now UL Lafayette) and a Master of Architecture degree from Georgia Institute of Technology. Eddie returned to his alma mater to teach Architecture in 1976, becoming the Director of the School of Architecture and Design in 1985 and holding that position until 1998. For 30 years, Eddie would have an enormous impact on the school, his students, his colleagues and our community. He is a renowned architect, environmental activist, and educator. His research and design work focusing on sustainable architecture and historic preservation has been recognized locally, nationally, and internationally innumerable times over his four-decade long professional career. Eddie’s influence can also be felt through the work of every architect and designer that he taught and inspired during his 30 years of teaching Architecture at UL Lafayette.
The UL Lafayette Symphony Orchestra will present a free concert featuring guest string performers on Saturday, February 8, 7:30 PM, in Angelle Hall Auditorium. Over 120 pre-college string players from throughout Louisiana will join forces with the UL Symphony to perform Viva La Vida by Coldplay and Holst’s Brook Green Suite. The UL Lafayette Symphony will also perform the Bruch Violin Concerto (featuring UL violin student Julia Lang), the Mozart G MajorFlute Concerto (featuring UL flute student Julie Sabo) and Rimsky-Korsakov’s Russian Easter Overture. Please join us for this special concert at the School of Music. For more information please call the UL School of Music at (337) 482-6012.
The UL Lafayette School of Music is proud to present two nights of small group jazz featuring Combo I, II, III and Guitar Ensemble. Both nights of the concerts will be held on the UL campus at Burke Hall on November 25 and 26th at 7:30pm and are free and open to the public.
Monday November 25th will feature the Guitar Combo and Combo I. The Guitar Ensemble will be directed by adjunct Guitar Faculty Brian Gaudino and will consist of three to five guitarists and a rhythm section. Combo I will be directed by Professor of Trumpet and Coordinator of Jazz Studies Dr. Paul Morton. As UL’s most advanced student group, Combo I will be performing all original compositions written by members of the group.
Tuesday November 26th Combos III and II will be performing. Combo III, directed by Music Media Coordinator Chris Munson, is the entry level jazz combo where students play a variety of jazz standards that explore some of the more basic and common changes/forms in the Bebop idiom. Combo II will be lead by Professor of Guitar Studies, Dr. Jeffrey George. This combo is for students who have significant experience improvising and explores advanced repertoire.